Friday, January 4, 2013

Adkins Arboretum Offers Winter/Spring Education Programs for Adults

Adkins Arboretum
January 3, 2013
RIDGELY, MD

This season, Adkins Arboretum is offering a full slate of programs for adults, including landscape design, stewardship, art, and weather patterns and climate change. Programs include:

Nature as Muse
Wednesdays, Feb. 6, March 6, April 3, 10 a.m.?1 p.m.
Each month this writing group will follow a different winding path through the Arboretum to quietly observe nature in detail. This will provide inspiration for expressing ideas that begin as seeds in our minds and then blossom into discovery as we write. No previous writing experience necessary. Enjoy how the paths in the Arboretum and the paths in your mind can lead you on an unpredictable but delightful journey. Bring a sack lunch and dress for both indoor and outdoor forest adventure. This program is free for members, free with admission for the general public.

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Homegrown Series with Elizabeth Beggins
Fridays, Jan. 11, Feb. 8, March 8, 10 a.m.?noon
Fee: $15 per program, $35 for all three for members; $20 per program, $45 for all three for the general public.
Elizabeth Beggins is a writer and educator with over a decade of experience as a market gardener on the Eastern Shore. She believes that health depends on a keen understanding of what we eat and that our choices as consumers are vital to sustaining ourselves and our planet. She also is director of The You Food Project, a grassroots initiative designed to connect youth to food and the environment through school gardens. In this three-part series, she will teach participants the basics of producing food?from poultry to vegetables to gardening with kids.

Backyard Chickens
Jan. 11
Admit it. You?ve considered getting a few backyard birds for months, but up to now, you?ve chickened out. Poultry keeping is both easier and more rewarding than you might imagine. Join Elizabeth for a program on the merits and methods of owning a small flock of chickens. With the proper preparations, you?ll soon find yourself more attracted to keeping chickens than you ever dreamed possible.

Beginning Vegetable Gardening
Feb. 8
Little is more satisfying than growing your own food. Except eating it! Best for novice gardeners, this class will teach the basics behind raising your own produce. Elizabeth Beggins will discuss what to plant, when to plant it, and where to get it; equipment needs; soil building techniques; and recipes for garden success. Make this the season for your vegetable garden dream to finally come alive.


Growing with Kids

March 8
Children are innately curious, and few opportunities hold as many exciting possibilities for discovery as spending time in a garden. Adults, whether family or friends, serve as a gateway by creating time and space for the young to explore the abundance of life that can come from the earth. In this final session of the ?Homegrown? series, Elizabeth Beggins will provide ideas for kid-friendly gardening projects that are sure to inspire growers of every age.
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Season?s Bounty Series with Elizabeth Beggins
Fridays, April 5, June 7, and Sept. 6, 10 a.m.?noon
Fee: $15 per program or $35 for all three for members; $20 per program or $45 for all three for the general public.

Spring Greens
April 5
As the cold of winter makes its reluctant exit and the palette of the landscape goes from dormant-brown to emergent-chartreuse, we often gravitate toward the fresh experience? being outside, renewing the garden, eating green foods. In this first program of a three-part series, Elizabeth Beggins will help you explore avenues for revitalizing yourself and your menu as she discusses growing and preparing such spring delicacies as zesty mustard, nutty arugula, and elegant pac-choy, in addition to favorites such as lettuce and spinach. Tasting samples and starter seed kits are sure to put some spring in your step.

Abundant Summer
June 7
Days lengthen, thermometers rise, and kitchens fill to overflowing with Mother Nature?s gifts. Now is the time to maximize the bounty of summer. Plan on succession plantings at home, and benefit from the burgeoning variety at farmers? markets. In the second session of this tasty series, Elizabeth will guide you in how to prolong our home harvests and how to savor and store those available from local farmers. Enjoy the flavors of the season as you learn.

Fall Harvest
September 6
Just because we can stop worrying about what to do with yet another summer squash doesn?t mean the food season is over. Late summer is the time to plant a fall garden and the time you?ll find the widest variety of produce all year. Elizabeth will show you how a little preparation now can yield big returns as the weather turns cooler. Greens, garlic, and gorgeous local offerings available at markets and roadside stands are the focus of this final program in the series. As always, savory treats and tools to use at home are an added bonus.

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Winter Fun for Families
Sun., Jan 20, 1?3 p.m.
Fee: $8 per person or $25 per family for members, $10 per person or $30 per family for the general public
Have a bad case of cabin fever? Bundle up the family for an afternoon of winter wonder at Adkins Arboretum. Join Youth Program Coordinator Jenny Houghton for a winter wildlife hike, an exciting critter experiment along the Blockston Branch, and a recycled bird feeder craft to take home. Warm clothes are a must, and hot chocolate will be provided.

Beginning Drawing
Mondays, Jan. 21 and 28, Feb. 4, 11, and 18, 10 a.m.?12:30 p.m.
Fee: $110 members, $140 general public
This five-session class taught by Lee D?Zmura will focus on drawing processes and skills. Emphasis will be placed equally on freehand drawing and technical skill to enhance accuracy and overall composition. A list of materials will be provided.

Wild Wild Weather
Fri., Feb. 15, noon?1 p.m.
Dan Satterfield, a forecast meteorologist for more than 32 years will speak about climate change and his work with Climate Central. He is a graduate of the University of Oklahoma with a degree in meteorology (atmospheric physics) and has a master?s degree in earth science. In January 2010, he was a guest of the National Science Foundation on a tour of science underway in Antarctica. On January 11, 2010, Dan became one of fewer than 5,000 people to have ever stood at the South Pole. Seven months later, he spent two weeks on top of the Greenland ice sheet, where scientists were recovering an ice core that will provide climate change information reaching back 130,000 years! Forecasting the weather is Dan?s job, but sharing the wonders of the earth sciences with students is his passion. This program is free for members, free with admission for the general public.

Winter Tree ID: Learn Your Buds and Bark
Sun., Feb. 24, 1?2:30 p.m.
Fee: $15 members, $20 general public
Adkins Arboretum Science Advisor Mary Travaglini will also guide discovery of clues on the ground and assess the habitats we visit to help sleuth out trees in winter. Come away knowing your trees without their leaves!

Peatlands and Bog-like Habitats of the Delmarva Peninsula
Sat., March 2, 1?2:30 p.m.
Fee: $15 members, $20 general public
Bogs are wetland habitats with deep deposits of peat, or partially decomposed plant material. Because most bogs develop in areas of the world where glaciers formerly occurred, there are no true bogs on the Delmarva Peninsula. There are, however, wetland habitats on the Peninsula where peat is well formed and bog-like conditions develop, including habitats such as Atlantic white cedar swamps, acidic fens, and interdunal swales. These habitats often support carnivorous plants that are adapted to the unique environmental conditions that result from peat formation. Join Bill McAvoy to learn more about the ecology and flora of these fascinating habitats.

McAvoy is the botanist for the Delaware Natural Heritage and Endangered Species Program and has studied and published on both the vascular and nonvascular flora of the Delmarva Peninsula for over 20 years. Registration required.

Philadelphia Flower Show bus trip
Wed., March 6
Fee: $75 members, $95 general public includes transportation, tip, and admission
Register by Tuesday, February 26.
The British have a word for something that?s inventive, dazzling, and extraordinary. That word is ?brilliant!? In 2013, the PHS Philadelphia Flower Show will glow with the majestic beauty and creative genius of Great Britain and will pay tribute to centuries of inspiring and influential culture, culminating in the urbane design of 21st-century London. Your admission ticket provides access to the Show?s finest features, including complimentary wine tastings, horticultural demonstrations, culinary presentations, and shopping in the Marketplace. The bus departs from Creamery Lane parking lot (near the fire station) in Easton at 8 a.m. and from Adkins Arboretum in Ridgely at 8:30 a.m. An additional stop at the 301/291 Park and Ride for Chestertown-area participants will be added upon request. The bus will depart for home at 6 p.m.

Composting
Sat., March 9, 10?11:30 a.m.
Fee: $15 members, $20 general public
Join Dr. Francis R. Gouin, Professor Emeritus, University of Maryland and composting expert, to learn about the science in composting, how to start a compost pile and manage it from start to finish, and the benefits of using compost in gardening. Enough Said, a compilation of 125 essays that Dr. Gouin wrote for the Annapolis Horticulture Society newsletter over a twelve-year period, will be available for purchase at this program. This collection of articles on composting, pruning, soil testing, planting, eliminating pesky weeds (like bamboo and kudzu), and much, much more is a user-friendly reference that many gardeners consider an indispensable guide to ?best practices? in the garden.

iNaturalist
Sun., March 10, noon?2:30 p.m.
Ever taken an interesting photo of a plant or animal, and wanted to share what you?ve seen and where you?ve seen it? Liberate that photo from your hard drive, and share it with an online army of naturalists and scientists. Matt Muir will show how social media, photo sharing, and nature are linking local and global expertise for use in education and science. In an ever-growing world of nature-sharing websites, Matt will focus on iNaturalist.org, a free and open-source community that connects your observations to species range maps, state and county lists, and other external information sources. Learn how iNaturalist can be used to keep lists of all your species records, to establish projects where others can complement your efforts, to seek identification help, and to create field guides for your backyard, your favorite nature area, or any location that you choose. This program is free for members, free with admission for the general public.

Geological Formations and Weather Patterns
Fri., March 15, noon?1 p.m.
Fee: $15 members, $20 general public
Environmental issues such as climate change and sea level rise are both at the forefront of public interest. Archaeology, as a discipline, is generally not viewed as a way to understand these topics, but according to Darrin Lowery, Ph.D., the best way to understand the impact of climate is to look at the past. By integrating both geology and archaeology, we can more thoroughly understand important environmental issues associated with the Chesapeake Bay region. Join Dr. Lowery to explore various aspects supporting a detailed understanding of Delmarva?s ever-changing landscape.

Raised on Tilghman Island, Dr. Lowery comes from a long line of boat builders, farmers, and watermen. His interest in archaeology and geology began at the age of seven while combing the eroding shorelines of the Chesapeake Bay with his father. His interest is in how geological formations reveal weather patterns and how these weather patterns affect human development.

Landscape Design Workshop
Sat., March 16, 8:30 a.m.?4:30 p.m.
Fee: $85 members, $110 general public
This workshop will address the typical challenges of homeowners in the Chesapeake Bay region. Three experienced landscape designers and avid gardeners will lead this all-day intensive design session. Come with your challenges and dreams, and leave with a landscape plan, ideas, and confidence to transform your home landscape for your enjoyment and pride.

Topics include analyzing the challenges and opportunities of your property; developing a plan for circulation and unique features; designing ?rooms? for outdoor living; choosing materials for patios and walks; incorporating sustainable practices; and selecting ornamental plants. The day will be organized around presentations followed by breakout sessions for you to work one-on-one with designers. The designers will offer practical advice on to get started, what to do with wet areas, how to lay out a path, how to screen an undesirable view, and plants recommended for specific conditions. Step by step, you will develop your own landscape design.

Workshop leaders are Arboretum Executive Director Ellie Altman; landscape architect Barbara McClinton, formerly of the Baltimore landscape architecture and land planning firm Daft, McCune, Walker; and landscape designer and native plant enthusiast Chris Pax, a graduate of the George Washington University sustainable landscape design master?s program.

Bring lunch. A continental breakfast and break refreshments will be provided. Also bring a property plat, photos, and other documentation of your property. Worksheets and handouts on native plants will be provided.

Herpetology Walk: Reptiles and Amphibians
Sat., March 16, 10?11:30 p.m.
Join Scott Smith to learn about the frogs, turtles, snakes, and salamanders that inhabit the Arboretum wetlands and forest. Scott Smith is the Maryland DNR-Natural Heritage Program Wildlife Diversity Ecologist and Amphibian and Reptile Atlas project coordinator for Talbot and Caroline counties. This program is free for members, free with admission for the general public.

Introduction to Nature Journaling
Wed., March 20, 10 a.m.?2:30 p.m.
Fee: $35 members, $45 general public
This workshop with Lee D?Zmura presents the popular pastime of nature or travel journaling. Participants will learn techniques to quickly and spiritedly record plants, animals, experiences, and places as they happen. Emphasis will be placed on initial sketches, text, and color rendering. Bring a sack lunch; a list of materials will be provided.

Sticks and Stones: A Garden?s Bones
Fri., March 22, 1?2 p.m.
Fee: $15 members, $20 general public
The first time he saw a rustic fence made of eastern red cedar, Pierre Moitrier immediately fell under the spell. He was compelled to start building with this wonderful material. Along the way, he found a true outlet for his creativity. Drawing inspiration from nature, his travels, and the charm of the old villages in France, he started creating one of-a-kind structures for the garden. In this talk, Pierre will take you from harvest to construction and show you how to transform a mere pile of cedar twigs into benches, fences, arbors, and gazebos that showcase intricate patterns. While presenting beautiful slides of his work, he will share valuable insights on construction techniques. Walk out inspired and ready to build your own rustic cedar structure!

Moitrier is a professional gardener at Designs for Greener Gardens, an Annapolis-based fine gardening company he owns and operates with his wife, Nancy. After leaving his native France twelve years ago with a degree in sustainable rural land use, Pierre landed in the garden universe. He quickly developed a strong interest in gardening and a true passion for hardscapes for the garden, including rustic stonework, magical garden follies, and creative woodwork using native Juniperus virginiana in its rough form. His work has been featured in Adrian Higgins? column, on HGTV and in American Nurseryman, among others.

Full Moon Walk
Wed., March 27, 6?8 p.m.
Fee: $15 members, $20 general public
Take a guided tour of the Arboretum under a full moon. We?ll discover the night sights and sounds of the meadow and forest, the crunch of leaves underfoot, and spring in the woodland. Along the way, with guidance from Science Advisor Mary Travaglini, we might identify some buds by flashlight, check what the goats do under a full moon, and even see what smells the plants might give us. At the end of our walk, a little fire will be going, and we will have warm drinks and marshmallows to toast!

Designing for Waterfront Landscapes
Sat., April 13, 10 a.m.?noon
Fee: $35 members, $45 general public
Waterfront properties present homeowners with a slew of both daunting challenges and precious opportunities. Join landscape designer and native plant enthusiast Chris Pax, a graduate of the George Washington University sustainable landscape design master?s program, for a look at plants that are good for waterfront landscape conditions and to review some of the special rules and regulations that may apply in your county. You may bring your plat diagram, some photos, and a bag lunch to enjoy with the group afterward?Chris will stay until 1 p.m. to answer questions about your specific property. When registering, please specify the county in which your property is located. This class is an excellent follow-up to the Landscape Design Workshop offered on March 16.

Second Saturday Nursery Walk
Sat., April 13, 1?3 p.m.
Join horticulturalist Eric Wittman for a walk that explores the tremendous diversity of plant material at the Arboretum?s Native Plant Nursery. Eric will select dozens of trees, shrubs, and perennials to aid visitors on their journey toward incorporating more native plants into their landscapes. Learn more about all the plants your native Arboretum has to offer. This program is free for members, free with admission for the general public.

Close-up Photography
Sat., April 20, 8 a.m.?noon
Fee: $45 members, $60 general public
Spring at the Arboretum is the ideal time to photograph close-up images of colors, textures, and patterns and turn ordinary images into powerful abstracts. Instructor Joshua Taylor Jr. will help participants learn how to capture striking images with basic photo equipment. The use of extension tubes, close-up filters, diffusers, and reflectors will be demonstrated during the shooting session with the instructor.

Participants will receive online pre-workshop instruction and an illustrated handout. ? The workshop also includes a morning photo shoot with the instructor and a classroom session on image enhancement techniques. Participants will have the opportunity to e-mail the instructor two JPEG images from the workshop for a written critique. Bring ALL photo equipment, including a digital memory card, extra batteries, and camera manual. A tripod is optional, but highly recommended. Please be reminded that point-and-shoot cameras have limited options, but they are welcome and can work quite well for close-ups.

Taylor has presented photography workshops at the Smithsonian National Orchid Show, the U.S. National Arboretum, and the U.S. Botanic Garden, as well as for public gardens, preserves, and horticultural societies across the region. In addition to teaching in the Smithsonian Studio Arts Program and at the Corcoran School of Art and Design, he exhibits his work regularly and speaks at camera and garden clubs.

Spring Ephemerals
Sun., April 21, 1?2:30 p.m.
Fee: $15 members, $20 general public
First thing in spring, a dazzling diversity of flowers emerges, but many of us hardly blink before they are gone. Join Arboretum Science Advisor Mary Travaglini on a walk to find these early spring flowers, the harbingers of spring!

Mary holds a bachelor?s of science from Cornell University and a master?s in landscape architecture from the University of Michigan. Active as an outdoor educator, landscape architect, and ecologist, Mary has worked extensively on federal lands and within the private sector as a trail crew leader and landscape designer, and has worked most recently for The Nature Conservancy, the National Park Service, and the Society for Ecological Restoration.

Nature Journaling with Spring Ephemerals
Wed., April 21, 10 a.m.?3:30 p.m.
Fee: $35 members, $45 general public
Join Lee D?Zmura to focus on the many spring ephemerals in bloom at the Arboretum. Following a brief discussion about these early blooming flowers and techniques to capture their beauty, the class will sketch outdoors and return to compose journal entries. Bring a sack lunch; a list of materials will be provided.

Source: http://carolinetowncrier.com/ctc/adkins-arboretum-offers-winterspring-education-programs-for-adults/?utm_source=rss&utm_medium=rss&utm_campaign=adkins-arboretum-offers-winterspring-education-programs-for-adults

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Ivory Coast stampede survivors blame barricades

ABIDJAN, Ivory Coast (AP) ? Survivors of a stampede in Ivory Coast that killed 61 people, most of them children and teenagers, after a New Year's Eve fireworks display said Wednesday that makeshift barricades stopped them from moving along a main boulevard, causing the crush of people.

Ivory Coast police said unknown people put tree trunks across the Boulevard de la Republic where the trampling took place.

"For security, because there were so many important people at the event, we closed certain main streets," said a police officer who was overheard briefing Ivory Coast President Alassane Outtara on the incident.

"After the fireworks we reopened the other streets, but we had not yet removed the tree trunks from the Boulevard de la Republic, in front of the Hotel Tiana near the National Assembly (parliament) building," she said. "That is where the stampede happened when people flooded in from the other streets."

Ouattara ordered three days of national mourning and launched an investigation into the causes of the tragedy but two survivors, in interviews with The Associated Press, indicated why so many died in what would normally be an open area, the Boulevard de la Republic. An estimated 50,000 people had gathered near the Felix Houphouet Boigny Stadium and elsewhere in Abidjan's Plateau district to watch the fireworks. As they streamed away from the show some encountered the blockades.

"Near the Justice Palace we were stopped by some people who put blockades of wood in the street," 33-year-old Zoure Sanate said from her bed in Cocody Hospital. "They told us we must stay in the Plateau area until morning. None of us accepted to stay in Plateau until the morning for a celebration that ended at around 1 a.m.

"Then came the stampede of people behind us," she said. "My four children and I were knocked to the ground. I was hearing my kids calling me, but I was powerless and fighting against death. Two of my kids are in hospital with me, but two others are missing. They cannot be found."

Another hospital patient, Brahima Compaore, 39, said he also was caught in the pile of people stopped by the roadblock.

"I found myself on the ground and people were walking on me," said Compaore. "I was only saved by people who pulled me onto the sidewalk."

Local newspapers are speculating that thieves put up the roadblocks so that pickpockets could steal money and mobile phones from the packed-in people.

Ouattara pledged to get answers. Some observers wondered why police did not prevent the tragedy.

"The investigation must take into account all the testimonies of victims," he said Wednesday. "We will have a crisis center to share and receive information."

Ouattara also postponed the traditional New Year's receptions at his residence, which had been scheduled for Thursday and Friday.

The leader of a human rights organization said that deadly incidents were predictable because the police and civil authorities had not taken adequate protective measures.

"The situation is deplorable," said Thierry Legre, president of the Ivorian League of Human Rights. "It is our first tragedy of 2013 but in 2012 we could already see possibility of such a tragedy because there are not adequate authorities patrolling our roads and waters."

Legre said the New Year's stampede "exposes our weak and dysfunctional civil protection system. This must be corrected immediately. The government cannot invite people to this kind of public gathering without taking adequate precautions to protect their safety and their lives."

He called on the government "to implement measures to avoid such tragedies in the future by reinforcing the civil protection system."

The government organized the fireworks to celebrate Ivory Coast's peace, after several months of political violence in early 2011 following disputed elections.

Just one night before the New Year's incident, there had been a big concert at the Felix Houphouet-Boigny Stadium where American rap star Chris Brown performed. That Sunday night event was for the Kora Awards for African musicians. No serious incidents were reported from that event.

In 2009, 22 people died and over 130 were injured in a stampede at a World Cup qualifying match at the Houphouet Boigny Stadium, prompting FIFA, soccer's global governing body, to impose a fine of tens of thousands of dollars on Ivory Coast's soccer federation. The stadium, which officially holds 35,000, was overcrowded at the time of the disaster.

Another African stadium tragedy occurred on New Year's Eve in Angola where 13 people, including four children, died in a stampede during a religious gathering at a sports stadium in Luanda, the capital.

Angop, the Angolan news agency, cited officials as saying Tuesday that 120 people were also injured. The incident happened on New Year's Eve when tens of thousands of people gathered at the stadium and panic ensued. Faustino Sebastiao, spokesman for the national firefighters department, says those who died were crushed and asphyxiated.

Source: http://news.yahoo.com/ivory-coast-stampede-survivors-blame-barricades-130553379.html

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Thursday, January 3, 2013

Writing Better Dialogue | ArticleTree.info - Writing & Speaking ...

by RonWilson

Why is dialogue so important to good story writing? The same reason that communication is essential to any good relationship-- because you have to understand someone to care about them. The main reason readers continue turning the pages is because they care about your characters, and dialogue is the key to allowing your reader to understand these new fictional characters.

Just before writing a scene, play it over in your mind - several times - this helps to get the feel for the characters and the story dialogue. The first few times you play the scene in your mind it should be silent, but gradually, allow the characters to come to life. Visualize them speaking to each other, as well as consider the thoughts that are taking place inside their heads. By doing this, when the dialogue emerges characters are talking to one another, not at each other.

Writing dialogue is the most interesting tools we use to pass on information and reveal character. Among the secrets to engaging story dialogue is that the characters don't necessarily need to be discussing something important to the story. As an example, a man and a woman meet for the first occasion in a supermarket and the reader sees they are attracted to one an other-- they don't have to refer to their attraction. Instead, they discuss their loathing of queues and rising milk prices-- something they share which brings them together. The conversation becomes more compelling as it reveals their characters.

When it comes to story dialogue, we need to express what we are trying to communicate in each particular scene, and then weave it into the action by breaking it into chunks. Think of the way people speak in real life. They never just stand there and speak. They are always moving, touching their hair, folding their arms, raising their eyebrows, or touching their chin as they speak.

A well handled dialogue scene can infer past events, clarify the underlying nature of a relationship, and reveal what a character has been doing 'off stage'. If you can really get a character's tone and mannerisms right, at the end of the story your reader should know what your character's goals are, their inmost desires, and how they were brought up.

What to do to set about creating realistic dialogue in your story? Start by watching and listening to real people when they speak. Study their behaviors and mannerisms and how they move while they are talking. However, in the real world people often say the same thing several times over, and in our fictional worlds we want everything to be concise and valuable to the story, so get a taste of how people interact with one another, but make in more concise.

Source: http://writing.articletree.info/writing-a-speaking/2384-writing-better-dialogue

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Thompson's late TD pass decides Outback Bowl

South Carolina wide receiver Damiere Byrd (10) celebrates with tight end Rory Anderson (81) after scoring on a 56-yard first-quarter touchdown against Michigan during the Outback Bowl NCAA college football game, Tuesday, Jan. 1, 2013, in Tampa, Fla. (AP Photo/Chris O'Meara)

South Carolina wide receiver Damiere Byrd (10) celebrates with tight end Rory Anderson (81) after scoring on a 56-yard first-quarter touchdown against Michigan during the Outback Bowl NCAA college football game, Tuesday, Jan. 1, 2013, in Tampa, Fla. (AP Photo/Chris O'Meara)

South Carolina's Ace Sanders (1) runs back a punt 63-yards for a touchdown against Michigan during the first quarter of the Outback Bowl NCAA college football game, Tuesday, Jan. 1, 2013, in Tampa, Fla. (AP Photo/Chris O'Meara)

South Carolina cornerback Jimmy Legree (15) intercepts a pass intended for Michigan wide receiver Drew Dileo (9) during the first quarter of the Outback Bowl NCAA college football game, Tuesday, Jan. 1, 2013, in Tampa, Fla. (AP Photo/Chris O'Meara)

Michigan wide receiver Drew Dileo (9) celebrates after scoring on a five-yard touchdown reception against South Carolina during the second quarter of the Outback Bowl NCAA college football game, Tuesday, Jan. 1, 2013, in Tampa, Fla. (AP Photo/Chris O'Meara)

South Carolina cornerback Akeem Auguste (3) breaks up a pass intended for Michigan wide receiver Joe Reynolds (85) during the first quarter of the Outback Bowl NCAA college football game, Tuesday, Jan. 1, 2013, in Tampa, Fla. (AP Photo/Chris O'Meara)

(AP) ? Steve Spurrier's plan to use two quarterbacks in the Outback Bowl worked so well that Dylan Thompson and Connor Shaw both earned game balls.

That's a first for the Head Ball Coach, who has a well-known penchant for benching struggling QBs. Except in this case, the Gamecocks' winningest coach used his talented pair of passers by design.

Shaw began Tuesday's 33-28 victory over Michigan with a 56-yard touchdown pass to Damiere Byrd. Thompson closed it out by throwing a 32-yard TD strike to Bruce Ellington in the final minute to help South Carolina match the school record for victories in a season.

"I don't know if I've ever given two quarterbacks a game ball, but today I said: 'Hey, we've got to give them to both you guys,'" Spurrier said.

"Both those young men are just so super team-oriented. There's no jealousy, nothing. ... Those guys are just really, really good teammates. Wonderful team players," the coach added. "We tried to tell Connor: 'It's your game.' And it was his game, but Dylan was going to play. He understood that. It worked beautifully as it turned out."

Thompson replaced Shaw during the winning drive, covering the final 43 yards after Shaw began the march from his own 30 and kept it alive with a 6-yard completion to Ace Sanders on a fourth-and-3 play. Devin Gardner's third TD pass of the game had given Michigan a 28-27 lead.

"I wasn't nervous. I knew I had great guys around me, and I trusted them and just was confident," Thompson said.

Shaw threw for 227 yards and two touchdowns after missing the Gamecocks' regular-season finale with a left foot sprain. Thompson led the Gamecocks (11-2) to a victory at archrival Clemson, and threw for 117 yards and two TDs in the bowl.

Gardner threw for 214 yards in his fifth start for Michigan (8-5) since Denard Robinson injured his right elbow late in the season. Robinson took some snaps at quarterback and even attempted his first passes in a game since Oct. 27, but lined up mostly at running back and rushed for 100 yards on 23 carries.

Sanders caught TD passes of 4 yards from Thompson and 31 yards from Shaw, who completed 18 of 26 passes before aggravating his foot injury and limping off during the final drive. The speedy receiver had nine catches for 92 yards and also scored on a 63-yard punt return ? one of four plays over 50 yards yielded by Michigan.

Gardner was 18 of 36, including TD passes of 5 yards to Drew Dileo and 10 and 17 yards to Jeremy Gallon, who gave Michigan its late lead and finished with career bests of nine receptions and 145 yards. Robinson set the NCAA record for career yards rushing by a quarterback, hiking his four-year total to 4,495 ? 15 more than West Virginia's Pat White ran for from 2005-08.

"I'd rather win the game," said Robinson, who attempted two passes in the third quarter, both incompletions, and also ran twice on plays in which he took the snap as the quarterback ? a role he's embraced since being injured during a loss to Nebraska.

"It was just what I thought it was going to be," Robinson said. "I tried to make the most of it."

South Carolina defensive end Jadeveon Clowney was quiet for much of the day, but shifted momentum in the fourth quarter with a big hit on Vincent Smith that sent the running back's helmet rolling several yards backward and caused a fumble that the SEC defensive player of the year recovered to set up Shaw's TD pass to Sanders for a 27-22 lead.

The TD capped a three-play sequence that began with Michigan running its second fake punt of the game, gaining 4 yards to the Wolverines 41 for what was ruled a first down, despite not appearing be one when the officials called for a measurement. South Carolina challenged the spot, but the ruling on the field was upheld.

Clowney then slammed into Smith just as the Michigan runner was taking the handoff from Gardner, jarring the ball loose.

"I asked one of those other refs there. I said, 'You know the ball did not touch the first-down marker.' He said, 'I know it didn't.' I said, 'Well, why did he give it to them?' and he said, 'I don't know,'" Spurrier said.

"Clowney knocked the ball out the next play, so I'm glad they gave it to them. ... We gained about 10 or 15 yards."

Robinson was injured during the first half of Michigan's two-touchdown loss to Nebraska on Oct. 27. He missed the rest of that game, as well the next two against Minnesota and Northwestern before returning the final two weeks of the regular season to contribute in ways that didn't require him to throw the ball.

The 6-foot, 197-pound native of Deerfield Beach, Fla., entered the game during Michigan's second possession and ran for 15 yards on his first play. Gardner threw 26 yards to Gallon, moving the Wolverines into position for Brendan Gibbons to kick a 39-yard field goal.

Down 14-3 after Sanders' punt return, Michigan marched 75 yards in 11 plays to trim South Carolina's lead to four, with Robinson carrying four times for 20 yards along the way. Gardner finished the drive by flipping his touchdown pass to Dileo early in the second quarter.

Michigan began the day ranked second in the nation in pass defense, allowing 155 yards per game. South Carolina matched that in the opening half alone, with most of the yardage coming on Shaw's long TD throw to Byrd and Thompson's 70-yard completion to Jones that led to Sanders' second TD for a 21-10 lead.

The Wolverines turned South Carolina's only turnover into Gibbons' 40-yard field goal in the second quarter, and Matt Wile's Outback Bowl-record 52-yard field goal trimmed Michigan's deficit to 21-16.

South Carolina ended on a five-game winning streak that followed consecutive losses to LSU and Florida. The Gamecocks also won 11 games last season.

"We hit eight of 10 goals we started the season with," Spurrier said. "We did that last year, too. That's good, but it still can be better."

Associated Press

Source: http://hosted2.ap.org/APDEFAULT/347875155d53465d95cec892aeb06419/Article_2013-01-01-T25-Outback%20Bowl/id-302a60531550490fb2a7f92404b518ff

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Mood drug no help for smoking cessation in prison study

NEW YORK (Reuters Health) - The addition of the antidepressant nortriptyline to conventional smoking cessation therapy didn't improve the chances of longterm success among male prisoners, Australian researchers have found.

Depression and other mental illnesses raise the likelihood of smoking, and quitting can depress a person's mood - which in turn can make it harder to quit. Studies have shown that antidepressants, including nortriptyline, can improve the success of smoking cessation efforts.

And prison inmates are notoriously heavy smokers, with higher rates of depression and other mental illness than the general population.

But the new study found that nortriptyline (marketed as Aventyl) - which is not FDA-approved for smoking cessation but often is used for that purpose - did not seem to help inmate smokers stay tobacco-free over time.

Compliance with the therapy appeared to a significant issue, however, said Robyn Richmond, a public health researcher at the University of New South Wales, in Kensington, who led the study.

Prisoners who were faithful to the treatment as ordered at least three-quarters of the time were much more likely to break their smoking habit than those who could not stick to the regimen, Richmond told Reuters Health.

Another factor, Richmond added, was that the prison population in the study tended to migrate, making follow-up of the participants difficult.

"One thinks that you have a captive audience" in prison studies, she said. "However, half of the prisoners were either transferred to another prison within the study or released into the community."

The study, which appears in the journal Addiction, included 425 male inmates from prisons across Australia. All were smokers, with a habit lasting on average 20 years and more than 23 cigarettes a day.

Nearly three-quarters of the inmates in the study had tried to quit in the previous year, according to the researchers.

All of the prisoners in the study received 10 weeks of smoking cessation therapy consisting of nicotine patches and two sessions of behavioral counseling. To that was added either a dummy pill or nortriptyline.

The researchers recorded the inmates' tobacco use at three, six and 12 months after the end of treatment, relying on self-reporting and direct measurements of exhaled carbon monoxide, a byproduct of smoking.

At the three-month mark, about one-quarter of prisoners who had received the antidepressant had managed to stay off smoking continuously, compared with 16 percent of those who had not taken the drug. But by the one year mark, the abstinence rate had fallen to about 11 percent for both groups.

Psychologist Karen Cropsey, a smoking researcher at the University of Alabama at Birmingham, said most jails and prisons in the United States have significantly restricted tobacco use by inmates. Roughly half of prisons, and many jails, now ban smoking completely, she said, while facilities that permit it typically require inmates to go outside to smoke.

Cropsey, who has studied tobacco use by female inmates, said the latest work is the first to look at smoking by male inmates.

Source: http://bit.ly/U67ejn Addiction, online December 11, 2012.

Source: http://news.yahoo.com/mood-drug-no-help-smoking-cessation-prison-study-162429930.html

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Wednesday, January 2, 2013

Are You a Kubrick or a Spielberg? | Film | The Man in the Movie Hat

When it comes down to it, every latter-day filmmaker aspires to be either Stanley Kubrick or Steven Spielberg. If you choose a more artistic, self-indulgent route, it?s likely you?ve chosen Kubrick as a mentor. If you choose a more entertaining, crowd-pleasing route, it?s likely you?ve chosen Spielberg as a mentor. At the start of your filmmaking aspirations, you no doubt wanted to be both an entertainer and an artist, but when real money is at stake, one choice will dominate over the other. Obviously, there?s the exception of ?neither? that some have chosen, but I?m talking majority here.

I think the contemporary examples of this are embodied by Quentin Tarantino and Paul Thomas Anderson. Tarantino has an audience in mind with his films, wanting to please them as much as himself (an example of being both an artist and an entertainer?much like Spielberg?but, again, one dominates the other), and Anderson uses the medium to express himself in a very niche and cinematically challenging way more in line with Kubrick. Kubrick and Spielberg had a similar relationship with each other that Tarantino and Anderson share: they were/are peers, competitors, mutual admirers, and friends. Each carried/carries a specific expectation with their name, yet they pursued very separate, very distinct filmic avenues. Aside from a classicist respect for their medium, they?re an unlikely pairing in many ways. Arguably, the same class of filmgoer seeks the new Anderson flick the same way the previous likeminded filmgoers sought Kubrick?s new flick, and the same can be applied to Spielberg and Tarantino. Kubrick and Anderson both share an exclusivity that sets them apart from their contemporaries, whereas Spielberg and Tarantino can suffer varying degrees of respect due to their enormous popularity. Spielberg and Tarantino are pop culture, while Kubrick and Anderson are counterculture. Spielberg and Tarantino are established genre filmmakers, while Kubrick and Anderson redefine(d) themselves with each picture. Spielberg and Tarantino attach their names to boost their filmmaker friends, while Kubrick and Anderson only produce(d) their own work (with the exception of A.I., where Kubrick planned to produce the Spielberg film). They all use(d) celluloid over digital, but Kubrick and Anderson both utilized the rich 65MM film stock, showing a certain ambition that differs from the others. Anderson, like Kubrick, has become more reclusive, taking his time between pictures, while Tarantino and Spielberg are ubiquitous names that everybody knows. A lot of film snobs use these names as a litmus test for taste: siding with the more obscure names as the ?hipper?, more telling choices (I agree with the ?telling? part). Spielberg and Tarantino offered a wider audience the B-movie plots and conventions that are looked down upon, while Kubrick and Anderson did the same to the ?art? film; increasing the awareness of film as an artform first and foremost.

Now that you see where I?m coming from, this quiz can commence. Here?s a little quiz to tell whether you?re a Kubrick or a Spielberg (or neither).

Quiz:

The ending of your film is being debated. Do you regret that it?s not clear? And keep the populace in mind!

A) No, it was ambiguous for a reason

B) Yes, I intended mass applause at the end

C) Neither

You have a choice between discomforting music and comforting music to score your film. Which do you choose? And keep the populace in mind!

A) Discomforting music. I want the audience to be displaced.

B) Comforting music. I want the audience to be in synch with the film.

C) Neither

The audience feels bad after seeing your film. You have a chance to re-edit your film. Do you accept it?

A) No, I constructed it so they feel that way

B) Yes, I want them to leave my film happy

C) Neither

Your friend who?s a filmmaker wants you to produce their film. It?s a film you wouldn?t watch. Do you produce it anyway?

A) No. I don?t want my name attached to something I don?t fully endorse.

B) Yes. They?re my friend and I?ll probably end up liking it as a result.

C) Neither

I had a beer and got high before walking into a movie. Whose film should I walk into?

A) Not mine. Be sure you?re clear of mind before entering my film.

B) Mine! I?m exactly what you?re looking for.

C) Neither

It?s a holiday, and I?m treating my family to a film. Whose film should I choose?

A) Mine, though they probably won?t like it.

B) Mine. I want to appeal to as many filmgoers as possible.

C) Neither

I?m a critic and I?ve yet to choose a favorite film. Whose film should I expect to be a candidate for that position?

A) Mine! I have all sorts of things you love!

B) Mine! I have all sorts of things people go to the movies to see!

C) Neither

Your actor is getting a bit crazy. What do you do?

A) Let him fly! That?s what I wanted!

B) Restrain him. That?s not the kind of picture I?m making.

C) Neither

You have the opportunity to take credit for either Jaws or 2001: A Space Odyssey. Which do you choose?

A) 2001: A Space Odyssey

B) Jaws

C) Neither

If you chose mostly A, then you?re a Kubrick. If you chose mostly B, then you?re a Spielberg. If you chose mostly C, then you?re neither. If you chose a mix, then you?re a mix. I didn?t say any of this was concrete.

Obviously I don?t know if either Spielberg, Kubrick, Tarantino or Anderson would agree with these questions. They?re merely a fun exercise to determine whether you?re primarily in it for the art or the entertainment. Neither is a bad route to take, just make sure it?s what you want in advance. If you make it your version of art or entertainment, then all the more reason to celebrate the release of your latest film.

For the record, three of these filmmakers released a film in the past year: The Master, Django Unchained, and Lincoln. If you were a participant in this quiz, then it?s obvious you should check out one of these films.

Source: http://www.themaninthemoviehat.com/kubrick-spielberg/

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Tuesday, January 1, 2013

Video of iPhone-eating elephant smells like hoax

A YouTube video from Thaistar2012 tells the story of a smartphone that's lost and found. (Eww!)

By Alan Boyle

The latest "stupid animal tricks" video to go viral shows an elephant at a Thai nature park nabbing a woman's smartphone and swallowing it down, followed by the recovery of the phone when it's heard ringing from a pile of elephant dung. Is it fake or real?

There are the usual signs of a hoax ??including the incredibly low quality of the video, and the staginess of the reactions to the loss of the phone and its unappetizing rediscovery. But beyond that, there are the scientific questions: Do elephants really go for foreign objects like phones? How long does it take for something to make its way from one end of the elephant to the other? Would a smartphone still work after passing all the way through?


For answers, we went to Murray E. Fowler, professor emeritus at the UC-Davis School of Veterinary Medicine and co-editor of a textbook titled "Biology, Medicine and Surgery of Elephants."?It turns out that Fowler has some personal experience with the ins and outs of elephant feeding habits.

He recalled a time when he drove a van full of students to a zoo, put the key in the pocket of his coveralls, and then paid an up-close visit to one of the elephants. When it came time to get back in the van ... no key. Fowler had to retrieve a spare from the school.?"About four days later, they found the key in a stool sample from the elephant," Fowler said. He figures the elephant must have snagged the key out of his coveralls, or picked it up where he dropped it.

Based on that experience, plus Fowler's professional knowledge of an elephant's innards, he says it's possible that the animal could take an iPhone and swallow it. "I can verify that," Fowler said. But you couldn't expect to recover the phone from the poop on the same day. On the contrary: Experts say it takes between 18 hours and several days for an elephant's alimentary canal to do its work. (Fun fact: Elephants digest and absorb only 44 percent of what they eat.)

If that's the case, the woman would have to come back later to pick up her lost item, presumably after it has been found and cleaned up. Moreover, it's highly questionable whether the darn thing would work after all that time?? and not just because the battery ran down. "There'll be acids and various and sundry enzymatic situations," Fowler said.

Bottom line? Even if you presume that the video is not a hoax from start to finish, the idea that you could recover a working mobile phone after it's worked its way through the digestive tract smells fishy ... or in this case, elephant-y. To me, the mere idea of sticking the phone into the dung so that you can pull it out for the sake of a YouTube video is creepy enough. But what do you think?

More stupid video tricks:


Hat tip to Gizmodo / DVICE / Ubergizmo. While you're thinking, here's a better-produced "Elephant-Meets-Smartphone" video.

Alan Boyle is NBCNews.com's science editor. Connect with the Cosmic Log community by "liking" the log's?Facebook page, following?@b0yle on Twitter?and adding the?Cosmic Log page?to your Google+ presence. To keep up with Cosmic Log as well as NBCNews.com's other stories about science and space, sign up for the Tech & Science newsletter, delivered to your email in-box every weekday. You can also check out?"The Case for Pluto,"?my book about the controversial dwarf planet and the search for new worlds.

Source: http://cosmiclog.nbcnews.com/_news/2012/12/31/16271843-that-video-of-the-iphone-eating-elephant-sure-smells-like-a-hoax?lite

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